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For a century, African musical heritage was recorded, boxed, and shipped to museums abroad. In Nairobi, a new generation of archives is bringing cultural memory home — and putting it online.
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In her presentation, the Secretary-General drew on UNPO’s 35 years of work with unrepresented nations and peoples to argue that archives, for these communities, are not simply a repository of the past, but also, importantly, they are claims on the future. For UNPO members the question of whether their archives exist, who controls them, and whether they are accessible is directly connected to whether those communities will continue to exist as peoples at all.
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Taukeer Alam, a writer of Van Gujjari, a vulnerable dialect with low documentation, shares the need for audio-visual documentation and safeguards to protect against AI and other exploitations
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The Pacific region is long defined by resilience; solutions are not being remembered, strengthened, and scaled.
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Australian Government entities are now required to embed the Australian Government Framework for governance of Indigenous data.
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Generational lived experiences are key to confronting and living with a changing climate, say Indigenous knowledge holders.
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Beneath the promises of enhanced connectivity in Africa lies a complex narrative—a 21st-century iteration of colonial dynamics cloaked in the rhetoric of "connecting the unconnected"
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Aaron Smale has been writing about Māori children in state care since 2016, winning multiple journalism awards along the way. In this kōrero, he tells Dale about his own experience of being adopted and raised outside his natural whānau, and how his need to know about his birth family and identity has influenced his journalism.
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Since the seventeenth century, the Netherlands had trading posts and colonies in Asia, Africa and North and South America. Many cultural objects from these regions have been brought to the country. It is often unclear which objects should be considered ‘colonial heritage’ and, if so, whether they were acquired lawfully or against the will of their original owners. A new digital platform supports users in gaining insight into this: the Colonial Collections datahub.
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There is a lot of data in our traditional knowledge. Our chants, songs, artefacts, and tattoos all hold data that only we can interpret and understand. However, there has been limited integration of this knowledge into our policies and decision-making processes.
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The staff of First Americans Museum are among many museum professionals seeking to disrupt the methods of presentation still endemic among collections of Indigenous cultural materials. These models may feel nostalgic or elevated to some, but can make an thoughtful and compelling exhibition feel hostile for the descendants of people brutalized by European and American empires.
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