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DUE: 15 November, 2026 Exiled and diasporic communities develop practices of creation, documentation, and archiving from within spaces of exile. Today, these practices increasingly take place through social media, using smartphone images or born-digital archives. Yet these intrinsically volatile materials confront genuine “algorithms of oppression” (Noble, 2018), shaped by the logics of commercial surveillance and the invisible censorship of platforms that tend to erase traces of the violence endured.